Gu Wentong learns the whereabouts of his father, who lost contact with him more than 40 years ago. Encouraged by new friend, photographer Ouyang Wenhui, Gu Wentong decides to face his father and rebuild the long-lost father-son relationship.
A talented trainee pilot is given the opportunity to virtually test the latest fighter jet, which pushes him to his limits.
20-year-old Jing Hao came to Shenzhen to live with his young sister alone. The siblings live a warm yet straitened life. In an effort to pay for his sister's expensive surgery, Jing Hao gets an opportunity by chance, thinking that a better life is coming, but unexpectedly encounters a serious setback. Under the pressure of both time and money, Jing Hao, who has no way out, decides to take a desperate gamble. Can this ignite the spark of hope for his troubled ordinary life?
One of Hong Kong's most influential filmmakers, Ann Hui, becomes a “star” for the first time in Man Lim-chung's directorial debut. A forerunner of the New Wave, Hui’s tumultuous, forty-year career is an unequivocal testimony to her unyielding dedication to filmmaking, and her expedition into the metamorphic city. This biopic probes into the acclaimed director’s idiosyncratic world, where we witness her rashness and goofiness, as well as her humanistic concerns for the everyday nobodies which make her films so moving.
Tian Zhuangzhuang (simplified Chinese: 田壮壮; traditional Chinese: 田壯壯; pinyin: Tián Zhuàngzhuàng, Mandarin pronunciation: [tʰi̯ɛ̌n ʈʂu̯ɑ̂ŋʈʂu̯ɑ̂ŋ]; born April 1952 in Beijing, China) is a Chinese film director, producer and actor. Tian was born to an influential actor and actress in China. Following a short stint in the military, Tian began his artistic career first as an amateur photographer and then as an assistant cinematographer at the Beijing Agricultural Film Studio. In 1978 he was admitted to the Beijing Film Academy, where he formed the so-called Fifth Generation with Chen Kaige, Zhang Yimou, Peng Xiaolan and Wu Ziniu. His films The Horse Thief and The Blue Kite brought him international fame, but also problems with the Chinese censors that kept him from working in China. Lately, Tian is again active as director; his remake of Springtime in a Small Town was shown in Rotterdam in 2003.