As an older gay man lies dying in a hospital room, he tries to remember all of his past lovers. Over the years, he had filmed many of his lovers as a way to capture them, but now the films are disintegrating – fading away just like his memories. Shot entirely on super8 film, this touching new film incorporates archival footage shot by Charles Lum in the 1970s and '80s (including footage from his time as an exchange student in Norway), archival footage shot by Todd Verow in the 1980s and '90s, as well as new footage by Verow. With a script based on Lum's stories and cruising diaries, and stories written by Verow, Memorabilia is a beautiful visual homage to love, as well as a testament to its creators' close friendship and mutual understanding in how to tell a story. Charles Lum never saw this film come to life, but he would no doubt have been proud of the result.
In the 1970s, the golden age of gay pornography in New York City, a promising chorus boy is injured and told he will never dance again. Distraught and unimpressed with the "art" films playing seedy Times Square theaters, he gets his friends and lovers together and they start making their own hardcore movies. Against all odds the films are wildly successful until drugs, AIDS and cheap video technology bring it all crashing down
Todd Verow (born 11 November 1966) is an American film director who now resides in New York City, New York. He attended the Rhode Island School of Design and the AFI Conservatory. Together with his creative partner, James Derek Dwyer, he formed Bangor Films in 1995. He was also the cinematographer for Jon Moritsugu's film Terminal USA (1993). He has been called a veteran of the New Queer Cinema.