Cinema is a historical, social and cultural document that allows us to understand how a society perceives and defines itself. A documentary in which filmmakers, actors, historians and theorists explore Colombian identity through its cinematography.
A funeral car cruises the streets of Medellín, while a young director tells the story of his past in this violent and conservative city. He remembers the pre-production of his first film, a Class-B movie with ghosts. The young queer scene of Medellín is casted for the film, but the main protagonist dies of a heroin overdose at the age of 21, just like many friends of the director. Anhell69 explores the dreams, doubts and fears of an annihilated generation, and the struggle to carry on making cinema.
After studying abroad, Mercedes returns to Colombia to work on the next film by her father, the famous Víctor Gaviria. Fluctuating between admiration and reproach, Mercedes constructs a private diary that goes beyond familial conflicts to question the place of women in the film world, which is still strongly ingrained with a patriarchal mindset.
After studying abroad, Mercedes returns to Colombia to work on the next film by her father, the famous Víctor Gaviria. Fluctuating between admiration and reproach, Mercedes constructs a private diary that goes beyond familial conflicts to question the place of women in the film world, which is still strongly ingrained with a patriarchal mindset.
Víctor Manuel Gaviria González (born January 19, 1955, in Liborina, Antioquia, Colombia) is a film director, writer, and poet. His four feature-length films are highly acclaimed and have won many international awards. He is the first Colombian filmmaker to be featured at the Cannes Film Festival in France. He is often recognized as the most influential and well-known filmmaker to come out of Colombia, often being considered an exception to Colombian Cinema.