An exercise of memory about the work of Enrique Carreras, the Argentine director of ninety-five films, which explores the relationship he had with his collaborators, producers and critics, in search of an answer to the question that continues to be asked throughout time—how was he able to shoot almost a hundred films that were box-office successes and a great source of employment? Beyond the sentimental and emotional value of Carreras’ films in the collective imagination, said productions are documents that explain certain processes of social transformation and behavioral patterns, a reflection of different decades, with their own social and political circumstances.
Bianca an emotionally unstable office worker is asked by a mysterious client to deliver documents insisting she must deliver them herself in person. On her arrival Bianca is kidnapped. Her captor, leader of a cult, drugs Bianca whilst tormenting her with continuous relentless indoctrination, forcing Bianca her to question the veracity of her memories, even those most life forming, as a victim of child abuse.
Victoria Carreras (Argentina) is the director of the trilogy made up of Amor y cine, Merello x Carreras and Hijas de la comedia. She premiered around forty plays and acted in seventeen films. She is a member of the Woman and Film Association and the Argentine Film Academy.