The young gifted artist Ryabinin cannot stay away from the conflict in Donbass; he leaves his beloved girl in Moscow, a well-fed and calm life, and leaves for the civil war as a militia to capture the tragic events of Russian history and express feelings that only aroused anger in his bohemian environment; the suffering of people and the heroism of comrades completely change the consciousness of a young man - he loses his former attachments, grows up and finds himself.
Moscow, 1974. During the premiere show, Mila Nikanorova, the leading model, was found hanged in the back room of the Model House on Kuznetsky Most. Kirill Bessonov, a principled and stubborn investigator of the MURA, begins the investigation.
The end of the Soviet empire. The General Secretary lies in the government clinic. He is old and frail, but has a tight grip on power. "The power is only taken, it is never given away," he repeats. And it is convenient for both the elites and the secret services -- while the "body" is alive, various groups are scoring their political points. The General Secretary is "sentenced to life". A young nurse Sasha looks after him. Small, fragile and invisible, she bears a heavy burden of responsibility for the life of the country's top official. Meanwhile, the old man is waging a war in Afghanistan, has a nuclear button and can take the entire world to the grave with him.
Two families live on the same staircase. One fine day, the dads boycott the moms, and the moms confront the dads in response. The reason for this is the accumulated family troubles: computer games of one, iron drill of the second, female fatigue, and so on. The hostages of the situation are children who are forced to live in two opposing camps. In an attempt to reconcile their parents, they only aggravate the situation and find the only way out - to call and ask their grandfather, a general of tank troops, to come. With his arrival, a planned "rescue" operation begins, filled with very comical situations.
Terminally ill surgeon Kirill finds a job in a clinic where doctors struggle with supernatural phenomena. The only way to survive is to show his best side and convince the new management that the hospital needs him. Kirill plunges into the intricacies of the relationships of people, witches and demons, increasingly doubting that he is able to correctly determine who exactly represents good and who is evil here. The diagnosis is imperfect, and the enemy may be someone who initially did not seem to them. To avoid such mistakes, Kirill and his colleagues will have to spend a lot of time studying the circumstances of patients' illnesses.
On August 24, 1981, the newlyweds Larisa and Vladimir Savitsky stepped on board the plane following the flight Komsomolsk-on-Amur - Blagoveshchensk. 30 minutes before landing, the civilian aircraft AN-24 collided with another aircraft and broke into pieces at an altitude of more than 5 kilometers above the ground. No one was supposed to survive ... but a miracle happened. Larisa Savitskaya woke up in the middle of the wreckage of the plane in the impenetrable taiga. Now she herself had to create a real miracle, which only a strong-minded person is capable of.
USSR, 1980s. The Elista Children's Hospital is experiencing the country's first major HIV outbreak, with more than 70 children and several adults infected. Now everyone: doctors, patients, relatives need to preserve human dignity in the face of a terrible disease for which there is no cure yet.
A rather unlucky young theater director finds himself without work and means of subsistence. To somehow make ends meet, on the advice of a friend, he decides to become a director of pornographic films, using creativity and psychological aspects in his work.
Владимир Стеклов родился 3 января 1948 года в городе Караганде. В 1949 году семья переехала в Астрахань. С девятого класса Владимир Стеклов занимался в театральной студии. В 1966 году окончил среднюю школу № 66 города Астрахань. По окончании в 1970 году Астраханского театрального училища по специальности «актёр драматического театра и кино» служил в Советской армии (в музыкальном взводе ГКНИИ ВВС им. Чкалова в Ахтубинске). С 1972 года работал в Драматическом театре им. Островского, города Кинешма. С 1977 по 1982 гг. работал актёром Камчатского драматического театра в городе Петропавловск-Камчатский. С 1981 по 1989 гг. Владимир Стеклов — актёр Московского драматического театра имени Станиславского. В кино Владимир Стеклов начал сниматься в 1983 году. С 1989 года играл в театре имени Ленинского комсомола. С 1996 года работает актёром театра «Школа современной пьесы». В 1999-2000 годах прошёл подготовку к полёту на станцию «Мир», но из-за недостаточного финансирования проекта (съёмки фильма «Тавро Кассандры») в космос не полетел. С 2000 года играет также в театрах «Русская антреприза Михаила Козакова», Театр Моссовета, «Сатирикон», работает художественным руководителем театра «Художественная школа».