While vacationing in the countryside at his childhood home, a woman suddenly reveals to her husband that she is expecting a child – but not his.
The Spanish "comedy of cloak and sword", in which there is both all-consuming love, and withering jealousy, and sophisticated cunning.
Julien Paluch is principled in everything: in his work and in his life. The formula "genius and debauchery" is not for him. His fanatical passion for new theatrical ideas attracts a wide variety of people to him. But one day in the director's life there comes a moment when Palyush begins to doubt that he is talented, and that his actions and relationships with people were selfless, sincere, and humane.
Praised for its fine photography and production design if not its narrative, Sergei Bondarchuk directed this adaptation of the tale by Alexander Pushkin. Boris Godunov came to the Czarist throne at the end of the 16th century, after the original heir to Ivan the Terrible had died. At first, things went well for Godunov (played by Bondarchuk), but when the Russian people began to believe he had killed Ivan the Terrible's son in order to gain the throne, an alliance sprang up against the new Czar. Events continued to spin out of control as a young monk was presented as the son Godunov had supposedly killed. Now he was openly accused of failing an assassination attempt, which seems to be even worse than succeeding. In addition to these woes, Boris Godunov began to suffer serious health problems. So much for the joys of kingship.
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