Selminha is back! Now wealthy and willing to pay generously for all her needs and desires. The problem is that a poor person’s happiness is brief: a namesake heir appears claiming that she is the legitimate inheritor and Selminha’s assets are frozen. Her only source of income becomes a minimum wage salary of R$30 per day. However, Selminha has already forgotten how to live the hardships of poverty. And worst, she is the patron of the Quintino community, and with her financial difficulties, the community also feels the squeeze.
In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.