Sent to prison along with his mother after her drug conviction, a young boy develops a warm, tender relationship with a political prisoner.
Işık visits a friend's summer home to spend some time alone after growing up under the strain of her surroundings and family. Here, she reflects on her prior issues and the challenges she has encountered as a woman.
Turkish television series based on the novel of the same name by Reşat Nuri Güntekin.
In this deeply symbolic and visually lush film, as far as Tashbash is concerned, he's just a malcontent, a fairly ordinary hell-raiser who has gotten into trouble with the law in the past. Sure, he hates the village headman who is a toady to the region's oppressive landlord, and he dislikes the fact that everyone looks to the headman for help because they have no place else to turn, but he's just an ordinary guy and has no solutions for his fellow villagers. However, after one of them has a vision in which Tashbash is shown to be a manifestation of one of their more important local saints, the villagers unite as one in seeking him out for help with the upcoming visit of the landlord to collect rents which they can't pay. Their adulation and reverence is so persistent that eventually even Tashbash becomes a believer.
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