An Andalusian duchess has the dilemma of what to do with a grove, whether to convert it into a natural reserve or to make a luxury urbanization. The duchess, who is torn between her aristocratic privileges and a social commitment that has cost her more than one dislike in the past, must make a decision about her lands, to which she wants to get some money without harming the people. On the other hand, An ambitious Basque financier, Antónón Ibarrondo, intends to build a luxury urbanization in the Marbella style in the grove. Around the duchess, the businessman, environmentalists and other members in the conflict, problems begin to arise and everything will be decided in a referendum, convened with the idea that it is the people who decide, which coincides with the annual celebration of the Pilgrimage del Pueblo.With a cast "
Two young men have left their obscure Balkan country to earn some money as "guest workers" in western Europe. On their way back home, they attempt to change trains in Paris but encounter surprising difficulties from the ticket authorities there. It seems that political changes have rendered their homeland nonexistent, and their passports are no good. Before long, they are stranded in Paris without passports, without a country, and soon even their luggage is stolen. Their fumbling efforts to straighten out the mess result in the French press getting into the act, labeling them as Russian spies. The Parisian expatriate community takes them into its bosom, and romance blooms between one of the lads and a Spanish hatmaker, before they finally achieve a (highly improbable) solution for their difficulties.
A painter becomes obsessed and begins an affair with a mysterious woman who was touched deeply by one of his works.
Hypocrisy and betrayal are the two dramatic pivots in this effective, emotionally gripping tragedy about the life and death of Paco (Antonio Banderas), a Spanish peasant who had been fighting against the feudal landowning system that kept farmers impoverished. Paco's life is told in flashbacks by a priest (Antonio Ferrandis) who is seen officiating at an anniversary mass attended by three wealthy landowners and no one else. The priest recalls Paco's baptism, his communion, his marriage ceremony and then his work for the peasants as he advocated and led them in a land-reform movement. The rest of the story will rest heavy on the priest's conscience, as he looks out at his empty church.
Yelena Samarina was born on December 16, 1927 in Omsk, Russian SFSR, USSR as Yelena Georgievna Volozhanina. She was an actress, known for The Werewolf Versus the Vampire Woman (1971), The Happy Sixties (1963), El filo del miedo (1967) and Don Juan in Hell (1991). She was married to Juan Manuel López Iglesias, the founder of Spain's Alta Films. She died on May 4, 2011 in Madrid, Spain.
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