Loyal to his gangster boss, Pua risks everything for money—and for Mi-ji, the ex-prisoner he secretly loves. But freedom brings distance, not desire.
As his family home is set to be demolished during urban renewal, Hao decides to buy a new house with his inheritance from his father so as to get away from this sad place and start a new life elsewhere with his mother, Hsia. However, in the meantime, he finds out that Hsia has continued using the inheritance money to make political contributions, for she is such a political fanatic. Somehow, Hsia believes that only CHIANG Chung-Yao, the latest candidate running for mayor, can bring about a bright future for all. Eventually, Hao has chosen to hold his mother captive for fear that Hsia will be duped into giving away all the inherited assets.
After a failed attempt to take his own life, a man discovers he's returned with four ghosts seeking to fulfil their last wishes in hopes of earning his own place in the afterlife.
The story is centered around the transgender protagonist Tzu-chi who has left home for six years and her sister Tzu-chuan with whom she has fallen out of touch for years. From reencountering each other with Tzu-chuan unable to recognize Tzu-chi, to the emotional nuances triggered by the subsequent recognition, the story profiles the protagonist’s gender identity, the contempt and even discrimination she faces from her work and social environment, and conflicts with her family. In the story, the protagonist goes through a series of unfortunate incidents with her sister. Long-repressed emotions and pressures finally pop the cap off, but this also becomes an opportunity for Tzu-chuan to resolve her inner conflicts. This film presents the theme “one can only truly move forward in life by newly confronting the obstacles they did not overcome in the past.”
The story is centered around the transgender protagonist Tzu-chi who has left home for six years and her sister Tzu-chuan with whom she has fallen out of touch for years. From reencountering each other with Tzu-chuan unable to recognize Tzu-chi, to the emotional nuances triggered by the subsequent recognition, the story profiles the protagonist’s gender identity, the contempt and even discrimination she faces from her work and social environment, and conflicts with her family. In the story, the protagonist goes through a series of unfortunate incidents with her sister. Long-repressed emotions and pressures finally pop the cap off, but this also becomes an opportunity for Tzu-chuan to resolve her inner conflicts. This film presents the theme “one can only truly move forward in life by newly confronting the obstacles they did not overcome in the past.”
Xiao Hong is a shy 29-year-old man who works in an aquarium fish store and lets his overprotective mother boss him around in all aspects of his life. His cousin decides to take him to a seedy hotel where Sister Lele oversees the prostitution business.
At the end of WWII, the Nationalist party of Republic of China, also known as the Kuomintang (KMT), took control of Taiwan and imposed martial law for 38 years. This period is known as the White Terror, where anyone suspected go being a Communist agent was hunted down. Through a 7-year-old girl’s point of view, The Black Kite brings us back to the innocent, yet high-handed time of the 1960s Taiwan.
