A boy escaped from home, listening, crouched in the depths of his hiding place, the cries of the men who seek him. When the game passes, what remains before him is an infinite and arid plain that he must cross if he wants to get away definitively from what has made him flee. His steps will intersect with those of a pastor and, from that moment, nothing will be the same for either of them.
Louise loved Adam. Adam loved Louise. That is how it used to be. But a child has disappeared. Their child. The police said it was a drowning accident. Yet the truth is that their little boy’s body was never found. Lucas, ten years old. How easy it all would have been if the ocean had taken the trouble to throw up a little-swollen child’s corpse onto the beach. Or if a local with alcohol in his blood and blood on his hands had ploughed him down at full speed. An indescribable pain. No more living, no more happiness, but at least no unanswered questions. Unfortunately, that is not how it is for Adam and Louise.
The killing of a fiery young teacher sets Detective Mario Conde on the trail of a drug kingpin with ties to the high school he once attended.
Rosa, is a prostitute who inherited the profession from Antonia, her mother, who thinks she is Sara Montiel and turns her daily life in a hell. Rosa does not know how to be happy. She just can not. But the unexpected arrival of a new member to her particular (and absurd) family will give her a unique opportunity to achieve happiness
Yoima Valdés se forma como actriz en la prestigiosa escuela de Juan Carlos Corazza. Su debut en la gran pantalla tiene lugar en 1997 en el filme de ‘Airbag’, aunque los primeros años de su carrera se dedicaría más a la televisión participando en serie como ‘A las once en casa’ o ‘Compañeros’. En 2002 se pone a las órdenes de Alex de la Iglesia en el filme ‘800 balas’ y a partir de entonces comienza a obtener más oportunidades en la gran pantalla. Ejemplo de ello son títulos como ‘El lápiz del carpintero’ (2003), ‘Agua con sal’ (2005) o ‘Agallas’ (2009).