The story happens in the near future of Japan, where sexual activity is forbidden by law. Inuda Hikaru is an honor student whose father is an executive at Setori (Sexual Misconduct Control Bureau of the Ministry of Health, Labor and Welfare). Hikaru aspires to become like his father and finds sex unpleasant. Minase Yu is Hikaru's childhood friend who has a sharp tongue but excels in her grades. Yu is also a big fan of nationally known actress Uchu Misora, commonly known as Uchura. One day, Hikaru is invited by a classmate to a shady members-only club where he witnesses men and women engaging in illegal sexual acts. He is also surprised to see Uchura, who claims to be "pure" there with a man. Before he realised, Hikaru finds himself being caught in an "underworld organization" where sexual activity is performed.
Tourists, foreigners and outcasts converge on the streets of Osaka in this sprawling ensemble drama by Japan-based, Malaysia-born filmmaker Lim Kah Wai. His eighth feature explores the lesser-known aspects of the Asian melting pot city through the eyes and experiences of a dozen characters who struggle to find their place in society: among them a Nepali refugee with dreams of opening a restaurant, a Burmese student struggling to make ends meet while working two jobs, and a Taiwanese sex tourist who travels to meet his favorite adult video actress.
Natsuko has been in a cold relationship with her husband, Kensaku, for many years. One day he dies suddenly, leaving Natsuko alone with a wizard, Mari, who appears and offers to grant up to four wishes. Natsuko requests to go 50 years back in time to the past before she met her husband. There, Natsuko meets young Kensaku, her young self, and her father Shintaro. Natsuko pretends to be someone she is not and attempts to uncover hidden truths while living in the past. What awaits Natsuko at the end of her time travel? And what will be her last wish to the wizard?
Natsuko has been in a cold relationship with her husband, Kensaku, for many years. One day he dies suddenly, leaving Natsuko alone with a wizard, Mari, who appears and offers to grant up to four wishes. Natsuko requests to go 50 years back in time to the past before she met her husband. There, Natsuko meets young Kensaku, her young self, and her father Shintaro. Natsuko pretends to be someone she is not and attempts to uncover hidden truths while living in the past. What awaits Natsuko at the end of her time travel? And what will be her last wish to the wizard?
From a neat and virtuous married woman to a calculating and arrogant villain, the gap between acting out the opposite duality is the greatest charm of actress Yuki Tayama. She has a trump card that can betray her expectations in a good way at any time. ing. She has a wide range of emotional control, including the atmosphere of her place and her cleverness in reading the minds of her opponents.