Antonina Milyukova is a beautiful and bright young woman, born in the aristocracy of 19th century Russia. She could have anything she'd want, and yet her only obsession is to marry Pyotr Tchaikovsky, with whom she falls in love from the very moment she hears his music. The composer finally accepts this union, but after blaming her for his misfortunes and breakdowns, his attempts to get rid of his wife are brutal. Consumed by her feelings for him, Antonina decides to endure and do whatever it takes to stay with him. Humiliated, disgraced and discarded, she is slowly driven to madness.
Fyodor is an ordinary guy who discovers a mysterious gift. He is being followed by people in desperate need to find closure from their past. One little inconvenience- they are ghosts. And the only way to get rid of them is for Fyodor to help them find what is holding them off on Earth and help them make a final departure. Things get even more complicated when Fyodor's own father appears on his doorstep. He was only nineteen when he died, and his closure is the fact that he left behind a son that he didn't really get to know.
Minsk, August 2020. Pasha and Yulia, a young married couple, leave the house at night and find themselves in the midst of peaceful protests. Everyday walk turns into a real hell, in which innocent people are victims of police brutality.
For the journalist Lyuba, everything is going according to plan: the work of the presenter on the TV channel, the successful and wealthy fiance Robert. The plan goes to hell when Lyuba's phone goes down, and she asks to call a random passerby from the phone. It turned out to be Sergey, who also had a calm and measured life until that day. This meeting will launch a series of events that will completely change the life of Lyuba, and Sergey, and themselves.
Teenager Zhora lives with her grandmother and only occasionally sees her parents. The fact is that he is autistic, and his parents are very busy people. Zhorik's mother, Kira, is passionate about her success as a plastic surgeon. Father - Yasha - real estate sales. However, they are not so busy that they do not take a friend to the holy springs to establish love karma. Will the holy water help reunite their family as well?
Kolya and Sasha hide away in an old lodge in the middle of the forest. They are in love, and the world around seems strange and wonderful. But the idyll of the sunny summer days is continually disturbed by nightmares. Sasha dreams that she is submerged by a huge wave. Once they meet a mysterious married couple living in the neighbourhood. The Man and the Woman are very much like the young lovers. With their help, they try to understand their feelings.
A young Finnish woman escapes an enigmatic love affair in Moscow by boarding a train to the arctic port of Murmansk. Forced to share the long ride and a tiny sleeping car with a larger than life Russian miner, the unexpected encounter leads the occupants of Compartment No. 6 to face major truths about human connection.
1984, Sverdlovsk, USSR. A shy freshman, an entrepreneur, a poet and two charming it-girls navigate life in a student dorm, sharing their griefs and joys, all for one and one for all. Suddenly a horrible accident blows up the life of the dorm when a female student commits suicide. The dorm is a miniature model of the world that encapsulates the full range of human passions, acts of bravery and cowardice, aspirations for virtue and failures, of love, friendship and betrayal.
Yuliya Arturovna Aug (Russian: Юлия Артуровна Ауг; born 8 June 1970) is a Soviet and Russian actress. Her film credits include The Student, Ekaterina and Leto. Aug is part of the Gogol Center troupe. Aug was born in Leningrad, RSFSR, Soviet Union, and spent her childhood in Narva, Estonian SSR. Her paternal grandfather was Estonian. In 1993, Yulia graduated from the Russian State Institute of Performing Arts and was accepted into the troupe of the Youth Theater named after A. A. Bryantsev, where she served for ten years, until 2004, playing eight main roles: Sophia in Woe from Wit, Mermaid in Pushkin's Mermaid, Lady Macbeth in Macbeth and others. In 2010 she graduated with honors from the directing department (remote learning) with a degree in Theater Directing of the Russian Institute of Theatre Arts in Moscow (workshop of Joseph Raihelgauz).