The widower Danyal worries about his adult daughter Jila, even though the doctor has long been on her own feet. When the man in his mid-fifties can't reach her by phone, he rushes from Kitzingen in Franconia to Berlin with two friends. The career lawyer Markus and the entertainer Tobi, also loving fathers with adult daughters in the capital, would like to combine the friendship service with the opportunity to visit their offspring. However, as soon as they arrive, the three realize that they know very little about the lives of the young women. Jila doesn't want to talk to Danyal because she believes he is responsible for the failure of several relationships, the unsuccessful actress Tilda is burdened by her father's excessive career expectations and Hanna confronts the complacent judge Markus about a secret marriage for legally questionable reasons. The three fathers' short trip develops a dynamic of its own that also pushes the daughters to their limits.
Karla, a strong, sensual and experienced woman, learns that she has terminal cancer. She only has a few months left. After a wild life as a photographer of music bands, full of touring, joints and rock 'n' roll, the woman in her mid-sixties has no desire for sentimentality. She wants to be left alone with her fate and plans a dignified exit. She refuses the help of voluntary euthanasia assistant Fred, a single-parent traffic planner who always means well. But Fred's son Phil, a shy teenager with a great sense of poetry, manages to get in touch with the terminally ill artist. He is allowed to archive their concert photos for posterity - and in the process gets to know the funky student Rona. As Fred, Phil and Karla open up to each other, a wonderful friendship develops. While father and son initially believed that they would accompany Karla when she died, the opposite suddenly happened: they both learned to live from her
Love and loss are closely linked in MY SON, an emotional drama about a teenager and his mother who go on a journey together after nearly having lost one another.
Thomas Brasch was born as a German-Jewish emigrant in England in order to move to the young GDR with his family at the beginning of the 1950s. His father Horst is primarily interested in helping to build the new German state. But Thomas prefers to realize himself as a writer and in doing so discovers his potential as a poetic rebel. His very first play was banned and soon afterwards he lost his place at the film school. When the tanks of the Soviet Union roll through the Czech capital Prague in 1968, Brasch and his girlfriend Sanda and other students try to call for protest in the streets of Berlin - and fail. His own father betrays him to the Stasi and allows Thomas to go to prison. After being paroled, he continues to try his hand at poet writing about love, revolt and death. In the GDR, however, you don't want to have anything to do with someone like him.
Thomas Brasch was born as a German-Jewish emigrant in England in order to move to the young GDR with his family at the beginning of the 1950s. His father Horst is primarily interested in helping to build the new German state. But Thomas prefers to realize himself as a writer and in doing so discovers his potential as a poetic rebel. His very first play was banned and soon afterwards he lost his place at the film school. When the tanks of the Soviet Union roll through the Czech capital Prague in 1968, Brasch and his girlfriend Sanda and other students try to call for protest in the streets of Berlin - and fail. His own father betrays him to the Stasi and allows Thomas to go to prison. After being paroled, he continues to try his hand at poet writing about love, revolt and death. In the GDR, however, you don't want to have anything to do with someone like him.