Intimate and fragmented moments unfold in a community of zoos and animal rescue centers across Argentina. As histories of these institutions are uncovered, dedicated workers commit both day and night to caring for the remaining enclosed animals, fostering a mutual bond that transcends imagined boundaries between human and animal.
Patience Evans works in a clerical role filing police records. An autistic woman, she has a special interest in solving puzzles and a secret fascination and talent for criminology—her unique perspective allows her to connect the dots through clues in a way others simply cannot.
A collection of 8mm film reels from İlhan Mimaroğlu’s archive—once tucked away in whisky boxes—has found new life through art. Curated by director Serdar Kökçeoğlu and producer Dilek Aydın, the project brings together visual artists and musicians to reimagine these long-lost images. Over thirty artists transformed the footage into fifteen distinct audiovisual pieces, blending experimental soundscapes with contemporary video art. The project concludes with a special highlight: the first-ever screening of Mimaroğlu’s silent short film about a street jazz festival, accompanied by Erdem Helvacıoğlu’s dark jazz score.
A short animation using the individual entries from within The Archive of the Irish in Britain as a new entry on each frame of the character's journey. The combination of individual voices crafts this distinct and honest narrative that the archive reveals.
In the summer of 1989, the 13th edition of the World Festival of Youth and Students was held in Pyongyang. Thousands of socialist youth from 177 countries celebrated their belief in a better society and international solidarity.
On September 22, 1998, the Iranian poet Hamid Hajizadeh and his nine-year-old son Karun, whose name symbolically refers to Iran's longest river, were brutally murdered in their home in Kerman. The documentary film, based on the statements of the survivors, tries to sensitively reconstruct one of the many terrible motivated events that took place in Iran at the end of the previous century and draws us into the fateful day with the help of detailed shots of the objects in Hamid's study.
A young filmmaker is commissioned to write a documentary about the First World War. He tries to find a way to tell the story of the war. What is to be done with all these films waiting in the archives to be shown again? He tries his hand at different styles of writing and editing, keeping in mind the question: can you make a montage film without transforming the images?