For 13-year-old Kaitlyn, her world threatens to collapse when she learns that her parents want to get a divorce, especially because it threatens the loss of the house they shared in Portland, which had always been Kaitlyn's home. The teenage girl has dark thoughts and lost interest in life. The breeding pigeons given to her by her mother's police colleague don't make things any better. What should she do with the birds? Then her best friend Adam gives her an idea: they could steal the very valuable racing pigeon named Granger from the local breeder Jaan Vari, sell it and use the proceeds to pay off the mortgage on her family's home. The plan initially works, but then everything seems to go wrong and Kaitlyn loses her footing even more. But surprisingly, the old man who was robbed takes care of the girl and a bond develops between the two, which ultimately leads her to a new outlook on life.
Gokul’s financial reach far exceeds his reality, but juggling unpayable loans and dodging debt collectors, he tries his best to provide for his pampered son, Anbu. With his mother away on business, Anbu persuades his father to go on a motorcycle trip through the countryside – a welcome break from everyday hustle, that helps Gokul realise that his son’s tantrums have a far deeper root than may at first seem.
Two seasoned drug dealers return to the gritty street of London, but their pursuit of money and power is threatened by a young and ruthless hustler.
A local construction worker and a Chinese engineer are assigned to build a bank in Bangui, the capital of the Central African Republic, one of the poorest countries in the world. But time is short and resources are scarce, and there are rumours in the countryside that a new civil war is brewing. And as if all this wasn’t bad enough, their relationships to their wives are falling apart. ‘Eat Bitter’ mirrors the existential and mundane problems of the two men, while an unlikely friendship and mutual trust blossoms between them. However, the chaotic microcosm of the construction site also mirrors China’s contradictory role in 21st century Africa, with the bank itself as the ultimate symbol of money, power and illusion. Director duo Pascale Appora-Gnekindy and Ningyi Sun themselves represent each of the two cultures, and their film has a unique eye for the human fallibility and irony of it all, but also for how we can reach each other despite all our many differences.
A new sketch comedy show that is funny - and has girls! Featuring fast paced sketches that cover issues such as work, life, relationships and what to do when you’re being haunted by a photobombing ghost. Set on a fictional television show where a large group of men produce an all-female sketch show. Funny Girls is a combination of hilarious sketches linked together by a behind-the-scenes narrative often derived from misguided opinions on what women want.
By browsing this website, you accept our cookies policy.