An animation tribute for graphic artist Xosé Vizoso, responsible for developing Galician visual culture through his work and during his path at the Sargadelos factory, where he became heir to the language built by Isaac Díaz Pardo and Luis Seoane.
Galicia, northern Spain, January 2, 1921. The steamship Santa Isabel, sailing towards Argentina with more than two hundred emigrants on board, sinks off the coast of Sálvora Island. Three island women, María, Josefa and Cipriana, who have bravely set sail aboard a fragile skiff to save the shipwrecked, are treated as heroes by the cynical authorities; but León, an inquisitive and tenacious Argentinean journalist, starts asking uncomfortable questions.
Time seems to stand still in a village in the Galician coast. Everybody there is paralyzed although we can still hear their voices: they talk about ghosts, about witches, about monsters. Three women arrive in the village to find Rubio, a sailor who has recently disappeared in the sea.
The day before they go their separate ways, three friends get together for one last all-nighter in the city that saw them grow.
An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories.
Ulises, who suffers from a marked psychomotor disorder, is cared for by his brother. One day he leaves the family home and decides to bury himself alive. His brother, desperate, finds him and convinces him to return, but he no longer knows what to do to protect him. One morning, a peddler knocks on the door and they invite him to spend the night at home. The next day Ulises decides to go with him. After traveling for a while, he offers his heart to the vendor.
After threatening his ex-partner for years, Marcos M. murders his 11-year-old son with a shovel. A year later a popular jury condemns him for murder, to kill making full use of his faculties, and determines that the crime against the child did not seek anything other than to punish the mother. In the fact on which we base ourselves, violence, harassment, the murder of a child to harm the mother and the death threat that still hangs over the woman concur.
Martín, a youth obsessed with paranormal phenomena, arrives in Chantada, a small village in Galicia, to investigate what he names “the cold spots.”
Vidago Palace has the background of the year 1936 and tells us a love story between two young people from different classes, ready to face all obstacles.
In a near future affected by global warming, biologist Amelia arrives to a remote archipelago on a recon task. All alone, her only companion is the voice of Mission Control in her ear. All seems well, but as time passes, tensions rise and they start to argue.