Forty years after the abolition of the death penalty in France, voted on September 18, 1981, the guillotine remains in the collective imagination as the instrument of the death sentence. This machine, developed during the Revolution to render justice more equal, was presented as progress. Over time, opinion has been divided on the subject of the death penalty, the guillotine becoming the object of man's cruelty, a remnant of an archaic way of dispensing justice and fuelling the many debates around the death penalty and its abolition.
Henri “Papillon” Charrière, a safecracker from the Parisian underworld, is wrongfully convicted and sentenced to life imprisonment in the penal colony of French Guiana, where he forges a strong friendship with Louis Dega, a counterfeiter who needs his protection.
It is the Universal Century, year 0153. The Zanscare Empire, which rules almost all of Side 2, has declared its independence from the old government, the hollow and corrupt Earth Federation. Under the justification of creating a new, space-based order, it has begun an invasion of Earth; and Point Kasarelia, the illegal residence area in Eastern Europe where Üso Ewin and Shahkti Kareen live, is no exception. As they are caught in the fighting between Zanscare and the opposing resistance organization, the League Militaire, fate draws Üso and his friends into the midst of battle.
A parody of the French Revolution, on Arabian Nights background. Bagdad Calif is in Paris in 1789, where he decides to visit the Executionner equipment exhibition.
A history of the French Revolution beginning from the decision of the king to convene the Etats-Generaux in 1789 in order to deal with France's debt problem. Part one spans the event until August 10, 1792 (when the King Louis XVI lost all authority and was imprisoned). Part two carries the story through the end of the terror in 1794.
In 1943, as Hitler continues to wage war across Europe, a group of college students mount an underground resistance movement in Munich. Dedicated expressly to the downfall of the monolithic Third Reich war machine, they call themselves the White Rose. One of its few female members, Sophie Scholl is captured during a dangerous mission to distribute pamphlets on campus with her brother Hans. Unwavering in her convictions and loyalty to the White Rose, her cross-examination by the Gestapo quickly escalates into a searing test of wills as Scholl delivers a passionate call to freedom and personal responsibility.
To commemorate the fiftieth anniversary of THE BATTLE OF ALGIERS, we revisited our edit of the film and interviews with director Gillo Pontecorvo and producer Saadi Yacef, who discuss the process of representing Algeria's struggle for independence and the challenges of presenting a balanced view of the conflict.
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