In the center of Hamburg, the discovery of an unexploded bomb from the Second World War not only leads to a far-reaching evacuation, but also to an interpersonal state of emergency.
When there is a fire, they go in where others run out: the emergency services from the fire and rescue stations in Barmbek, Berliner Tor and the city center. In an emergency, seconds often mean the difference between life and death.
Belgrade, 2022: A photojournalist is threatened by right-wing extremist groups in her Serbian home and flees to Germany with her daughter. But then she also experiences increasing strong threats and attacks in her new home.
Belgrade, 2022: A photojournalist is threatened by right-wing extremist groups in her Serbian home and flees to Germany with her daughter. But then she also experiences increasing strong threats and attacks in her new home.
5 people of different personalities have to take a taxi from Munich to Hamburg, as the train service is canceled. The strangers discover that every one of them has their own cross to bear, but to overcome trouble they have to work together as a group.
Hamburg, Germany, summer 1988. A young bank employee embezzles a large amount of money using an ingenious technique and flees to Australia, from where he phones his girlfriend to tell her what he has done so easily; but her reaction is not what he naively expected.
When Jonas loses his job at a Hamburg startup company, he doesn’t have the heart to tell his girlfriend Katharina, as her nerves are already on the edge with her final law exams coming up. Every morning he leaves their flat and drift aimless through the metropole on endless underground rides. After a chance meeting with his former boss Marc, Jonas starts to observe the young manager. His curiosity gradually turns into obsession, small and bigger everyday lies become a kind of survival strategy for Jonas. While Katharina notices his increasingly odd behavior, Jonas is losing control over events more and more. Flood deals with feelings of powerlessness of the individual facing a growing competitive and performance pressure. The fear of failing in a perceived competition of life kicks off a spiral of wrong decisions, with no apparent way out. Georg Pelzer’s debut was shot basing on a 20-page plot description, dialogues and actions where improvised with the actors on location.
