Keo Sinn and her university friends find themselves tormented by the ancient curse of the vengeful Nu Gui. As the malevolent spirit unleashes havoc, Keo is forced to confront her haunting past and unravel a tragic connection to the malignant figure known as Malice. Secrets will be unearthed and the boundaries of reality will blur in this harrowing tale of revenge. Brace yourself for a journey into the realm of supernatural obsession.
Born in 1932, Keiko Kishi has been one of the first Japanese actresses known worldwide. Her decision to move to France and to marry director Yves Ciampi in 1957 – after he filmed her in Typhoon Over Nagasaki starring Jean Marais and Danielle Darrieux – caused a huge scandal in Japan. Despite this transgression, Keiko Kishi continued acting in her home country with Kon Ichikawa, Yasujiro Ozu, Masaki Kobayashi… building unique bridges between Japanese and European cultures. Free and rebellious, she emancipated herself from the many obstacles she encountered in the film industry, and created her own production company in her early twenties. Let’s look back at the story of a pioneer, an inspiration for many generations.
A Japan-set battle-royale comedy over a vial of sperm is centered around three women on the verge of a nervous breakdown from hearing their biological clock ticking away: a doctor and manager of a sperm bank, Sana Kobayashi, a single mother, Maron Kuribayashi, and an alluring receptionist, Mayumi Kujō. Unknowingly, the three shared a beloved partner and a sperm donor, Makoto, but lost him in a sudden accident. The night of Makoto's funeral they are shocked to discover each other in his room. In a rage of screaming, thrashing, and boasting about their own sexual prowess with Makoto, more fierce emotions erupt once Sana's plan to self-inseminate is exposed, but this leads to unexpected consequences. They affirm their real love for Makoto and reveal his true wishes.
With both beauty and wit, Maiko looks for a man who suits her. One night, she finds Taro, a candidate for the prime minister. Everything goes well as she plans, but he finds out she's actually a "youma" who destroys the country. What's their destiny?
In a series of inspiring home makeovers, world-renowned tidying expert Marie Kondo helps clients clear out the clutter -- and choose joy.
The follow-up film to “Barstow, California” takes us to the mountains of Miyama, a remote forest and tourist area north of Kyoto. Uwe Walter, a shakuhachi player from Germany, lives there with his wife Mitsuyo for 30 years. Together with the villagers he prepares the annual Gion Festival. On the eve of the festival, the village representatives tell him that his self-built studio is to be demolished. This brings back memories for him of earlier times and his first steps as a Nō actor. In the manner of a fresco, the film interweaves rural depictions of everyday life with the story of its German protagonist. In the village community with its togetherness of generations, Uwe shares life with his neighbours, with farmers, hunters, woodsmen, poultry farmers and anglers, tills his kitchen garden, and like other tradition-conscious villagers, he also grows his rice. The film shows them in a harsh mountain landscape between the rainy season and the first snow.