Discover the untold stories of D-Day from the men, women and children who lived through German occupation and Allied liberation of Normandy, France. Powerful and deeply personal, THE GIRL WHO WORE FREEDOM tells the stories of an America that lived its values, instilling pride in a country that's in danger of becoming a relic of the past.
During World War II, the photographer Francisco Boix and other Spanish Republican prisoners of the Mauthausen concentration camp, where 120,000 people died, managed not only to survive their indescribable experience, but also, after the war, to reveal to the world what really happened in that hell, saving from destruction thousands of official photographs taken by the SS.
Comprised entirely of re-mastered and colorised archive footage from World War II, much of it never before seen, Sacrifice recounts the story of D-Day through the testimonies of those who lived it. These important historical days are seen through the eyes of French civilians and members of the military fighting on both sides. The testimonies of famous individuals like Dwight D. Eisenhower and Erwin Rommel are intertwined with those of anonymous soldiers and citizens, such as film director Samuel Fuller and Eisenhower's chauffeur, Kay Summersby. From the preparations for D-Day all the way through to the liberation of Paris, the accounts of these men and women provide a moving and invaluable retelling of this pivotal time in history.
On the 29th September 1945, the incomplete rough cut of a brilliant documentary about concentration camps was viewed at the MOI in London. For five months, Sidney Bernstein had led a small team – which included Stewart McAllister, Richard Crossman and Alfred Hitchcock – to complete the film from hours of shocking footage. Unfortunately, this ambitious Allied project to create a feature-length visual report that would damn the Nazi regime and shame the German people into acceptance of Allied occupation had missed its moment. Even in its incomplete form (available since 1984) the film was immensely powerful, generating an awed hush among audiences. But now, complete to six reels, this faithfully restored and definitive version produced by IWM, is being compared with Alain Resnais’ Night and Fog (1955).
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