In Paraguay, during the regime of dictator Alfredo Stroessner, almost 400 people disappeared without a trace, and several hundred thousand were sent to prisons where they were tortured. One of these people was Emilio Barreto, an aspiring actor who spent a total of thirteen years in prison despite never being tried for any crime.
Betty Jara reassembles the Yaguareté Commandos to exchange an imprisoned criminal for one of her own agents. A risky operation becomes even more so when she realizes they are not just fighting a drug ring but the highest spheres of power.
The humble origins of Marilina Bogado, and how she became the paraguayan queen of "Cumbia"
Eami means ‘forest’ in Ayoreo. It also means ‘world’. The story happens in the Paraguayan Chaco, the territory with the highest deforestation rate in the world. 25,000 hectares of forest are being deforested a month in this territory which would mean an average of 841 hectares a day or 35 hectares per hour. The forest barely lives and this only due to a reserve that the Totobiegosode people achieved in a legal manner. They call Chaidi this place which means ancestral land or the place where we always lived and it is part of the "Ayoreo Totobiegosode Natural and Cultural Heritage". Before this, they had to live through the traumatic situation of leaving the territory behind and surviving a war. It is the story of the Ayoreo Totobiegosode people, told from the point of view of Asoja, a bird-god with the ability to bring an omniscient- temporal gaze, who becomes the narrator of this story developed in a crossing between documentary and fiction.
Rubens, a powerful gangster, decides to take his last big blow with the help of his adopted daughter Leônia. But not everything goes as planned during the robbery of a bank's private coffers on Avenida Paulista, in the heart of São Paulo. Rubens and Leônia will only find their true destinations, by spawning the stolen objects in Paraguay, where both characters enter into crisis with their own existential values.
Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.
