An underprivileged hairdresser becomes the game changer in a local body election in a village where caste politics rules the roost. Will he be able to bring some changes to people's lives?
Satirical and surreal news show. Nish Kumar and a cast of hilarious correspondents keep you up to date with everything that has happened - or not happened - this week.
Following the success of their 2015 election comedy Ballot Monkeys, Andy Hamilton and Guy Jenkin (Ballot Monkeys, Outnumbered, Drop the Dead Donkey) return to Channel 4 with a six-part satire lampooning the fictional communications and social media ‘experts’ on both sides of the EU referendum, as well as taking audiences a few doors down from the Kremlin and into the imagined world of Donald Trump’s campaign plane.
Adam Hills and co-hosts Josh Widdicombe and Alex Brooker provide some offbeat commentary on the significant moments of the past seven days.
Comedy-drama series set in the fictional Central Asian Republic of Tazbekistan where newly arrived British Ambassador Keith Davies is set the task of trying to secure a £2 billion helicopter contract for the United Kingdom.
Lee Camps latest hour-long standup comedy special
Headcases was an ITV satirical animation show based on current affairs. It employed the same satirical style as Spitting Image, 2DTV and Bo' Selecta! but using 3D animation created by UK Visual Effects and animation house Red Vision. Red Vision evolved a series of unique production techniques and a sophisticated animation pipeline to deliver the weekly topical elements of the series to hitherto impossible deadlines. The programme's first series began on 6 April 2008, with weekly episodes until 11 May 2008, airing on Sundays at 10 pm. A seventh episode was televised on Friday, 30 May at 10:30 pm, and an eighth at 10 pm on Sunday, 15 June. The show included celebrities, politicians and members of the British Royal Family in their animated form, taking a role in sketches including scenarios from their own topical issues. The show's name comes from the fact that all the subjects' caricatured faces are out of scale with the rest of their bodies.
