The viewpoints of women from a country that no longer exists preserved on low-band U-matic tape. GDR-FRG. Courageous, self-confident and emancipated: female industry workers talk about gaining autonomy.
To escape his tiring job, weary Murata finds escape at a nearby baseball stadium. While the games are thrilling, it’s Ruriko, the gyaru as cold as the beer she serves but secretly a sweetheart, who keeps him coming back. As her first regular, Murata discovers the warmth behind her frosty demeanor, and their hilarious, heartwarming encounters light up the ballpark and maybe even their hearts.
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
The documentary by Mari Soppela focuses on glass ceilings, a metaphor for the invisible borders between men and women in work life. Talk about glass ceilings is usually associated with women’s opportunities to advance to well paid managerial positions, but the documentary connects itself more broadly to the structural problems of work life from women’s perspective. Glass ceilings are long trials about equal pay, having to continually prove one’s skills, and 85-cent euros. The topic cannot be handled without intersectional crossings: what are invisible glass ceilings for some, are solid concrete for others.
Anora, a Tajik teenage girl, experiences the coming of age. Due to the ambiguity related to her absent father, the closed borders caused by the pandemic, and the fear of uncertainty, Anora has to grow up in the course of a night.
In 1910, women working in the silk industry in Bursa, protest against the working conditions. They go on strike.
