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Modern Printmaking—Planographic S01E12

This lecture explores the art of planographic printmaking, which allows artists to draw or paint directly on the printing surface. In detailed demonstrations and works by Daumier, Degas, and Warhol, grasp the techniques of lithography, silkscreen, and monotype, and explore the mastery of Whistler's lithograph "Nocturne: The Thames at Battersea."

Series Cast

Sharon Latchaw Hirsh

Sharon Latchaw Hirsh

Self

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painting architecture art educational art history instructional video

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1
The Importance of First Impressions
10
Drawing—Dry, Liquid, and Modern Media
11
Printmaking—Relief and Intaglio
12
Modern Printmaking—Planographic
13
Sculpture—Salt Cellars to Monuments
14
Development of Painting—Tempera and Oils
15
Modern Painting—Acrylics and Assemblages
16
Subject Matters
17
Signs—Symbols, Icons, and Indexes in Art
18
Portraits—How Artists See Others
19
Self-Portraits—How Artists See Themselves
2
Where Am I? Point of View and Focal Point
20
Landscapes—Art of the Great Outdoors
21
Putting It All Together
22
Early Renaissance—Humanism Emergent
23
Northern Renaissance—Devil in the Details
24
High Renaissance—Humanism Perfected
25
Mannerism and Baroque—Distortion and Drama
26
Going Baroque—North versus South
27
18th-Century Reality and Decorative Rococo
28
Revolutions—Neoclassicism and Romanticism
29
From Realism to Impressionism
3
Color—Description, Symbol, and More
30
Postimpressionism—Form and Content Re-Viewed
31
Expressionism—Empathy and Emotion
32
Cubism—An Experiment in Form
33
Abstraction/Modernism—New Visual Language
34
Dada Found Objects/Surreal Doodles and Dreams
35
Postmodernism—Focus on the Viewer
36
Your Next Museum Visit—Do It Yourself!
4
Line—Description and Expression
5
Space, Shape, Shade, and Shadow
6
Seeing the Big Picture—Composition
7
The Illusion—Getting the Right Perspective
8
Art That Moves Us—Time and Motion
9
Feeling with Our Eyes—Texture and Light
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