Mother and daughter, both from the GDR: one experienced it, the other did not. Tamara was born in 1990. Like many of the post-reunification generation, she left her homeland and only comes to visit for her milestone birthday. But everything that seemed secure crumbles within a few days: Tamara (Linda Pöppel) and her mother Barbara (Lina Wendel) are left. The two struggle to maintain their relationship, which cannot be detached from the social developments in which the family was born, grew and disintegrated. Now Tamara must face what she has been running away from: her own history.
Water pipe burst and bomb alarm - Berlin in a state of emergency: Dorn and Gerald don't know where their heads are. The routes for the garbage collectors have to be reworked due to numerous road closures, chaos rages.
"Captain" Werner Träsch is quite astonished: the fresh wind of social change is also blowing among the tradition-conscious Berlin garbage workers. His boss, Dorn, has got it into his head that women should finally be employed as refuse collectors.
During their tour, Werner and his colleagues Tarik and Ralle get in the way of a young man who wants to "steal" expired groceries from a supermarket container
Karla, a strong, sensual and experienced woman, learns that she has terminal cancer. She only has a few months left. After a wild life as a photographer of music bands, full of touring, joints and rock 'n' roll, the woman in her mid-sixties has no desire for sentimentality. She wants to be left alone with her fate and plans a dignified exit. She refuses the help of voluntary euthanasia assistant Fred, a single-parent traffic planner who always means well. But Fred's son Phil, a shy teenager with a great sense of poetry, manages to get in touch with the terminally ill artist. He is allowed to archive their concert photos for posterity - and in the process gets to know the funky student Rona. As Fred, Phil and Karla open up to each other, a wonderful friendship develops. While father and son initially believed that they would accompany Karla when she died, the opposite suddenly happened: they both learned to live from her
The cabaret artist Marc-Uwe and the kangaroo are faced with a problem: Lisbeth, the mother of Maria has taken a wrong turn somewhere and is now denying the climate crisis on the Internet. How can she be brought to her senses? The two make a bet with each other: If they don't manage to bring Maria's mother to her senses, they will lose their apartment. So Marc-Uwe and the marsupial embark on a trip to the Conspiracy Convention in Bielefeld and shortly thereafter become part of a tangible conspiracy led by conspiracy guru Adam Krieger and his followers. As the two flatmates talk their heads off, it's no longer just about their apartment for Marc-Uwe and the kangaroo, it's more than that: it's a matter of life and death!
A film inspired by one of Germany's most visited blogs. The author of the site www.notesofberlin.com, Joab Nist, posts pictures of real announcements, notes, information that people leave in the streets of Berlin. The film follows 15 genuine notes and protagonists. The result is 15 funny, tragic, fascinating episodes about people and the city they live in. Twenty-four hours from the life of the city. The story begins with a note attached to a street lamp, with the message “For one minute please just stand here in silence, look at the sky and contemplate how amazing life is”. Is it possible that only a very drunk young man notices the text and looks upwards? An extraordinary mood picture of present-day Berlin and a declaration of love for the city.
For Connie, things have been going to plan for many years, both professionally and in her private life. That is, until the son of the CEO takes over the business, forcing new demands on the workforce. In future, English is to be the business language. English? Fluently? Not wanting to lose her job, Connie immediately signs up for an intensive English language course in Ireland. But the perfectionist is totally unprepared for her teacher Gillian, the warm-hearted, yet slightly chaotic and young-looking woman, who sees her main job as funeral director as a vocation. Connie also has her problems with her co-student, Max, a Tom Jones imitator, who is currently in Ireland to visit his 16-year-old daughter, Amy. Much to Connie's displeasure, the bon vivant is not interested in rules and regulations. Connie soon realizes that she is missing something more in her perfect life than speaking perfect English. But can she leave her life behind and risk taking the plunge into the great unknown?
In 1930s Berlin, Dr. Jakob Fabian, who works by day in advertising for a cigarette company and by night wanders the streets of the city, falls in love with an actress. As her career begins to blossom, prospects for his future begin to wane.
During their tour, Werner Träsch and his colleagues Ralle Schieber and Tarik Büyüktürk arrive at a housing estate where the businessman Waselitzki draws their attention to graffiti. Waselitzki plans to rent out the apartments in order to then rent them out again at a higher price. Träsch and his colleagues want to prevent this with all their might.