Over 40 years ago, Josefa left her home village in a dispute. A lot has happened in the meantime. Now she returns as a mature woman to where she is still known as a man.
A bang at the Eberhofer farm: Grandma goes on strike and wants to get rid of the family care in the future. Pure chaos! The family is supposed to learn how to take care of themselves. Now, of all times, Susi temporarily takes over Niederkaltenkirchen's town hall as deputy mayor and, with her newfound power, reduces Franz's position to part-time so that he can take care of son Pauli in the future. This action touches the Eberhofer's masculinity sensitively. Fortunately, it doesn't take long for a crow to pick up a human ear, and what should have been a deadlocked missing person's case surprisingly develops into a tricky murder case that once again unites Franz and Rudi as an investigative dream team in top form.
Petra Hoffmann is in her early 50s and pregnant. She is not carrying her own child though, but that of her daughter. Midwife Lena Lorenz has been looking after mother and daughter for a while and the pregnancy has been unproblematic thus far, but shortly before the birth the family starts to break apart.
Petra Hoffmann is in her early 50s and pregnant. She is not carrying her own child though, but that of her daughter. Midwife Lena Lorenz has been looking after mother and daughter for a while and the pregnancy has been unproblematic thus far, but shortly before the birth the family starts to break apart.
When 22-year-old Rainer Werner Fassbinder storms the stage of a small, progressive theatre in Munich 1967, and seizes the production without further ado, nobody suspects this brazen young rebel to become one of the most important post-war German filmmakers. Despite early setbacks, many of his films breakout at the most renowned films festivals and polarise audience, critics and filmmakers alike. His radical views and self-exploitation, as well as his longing for love, have made him one of the most fascinating film directors of this time.
